Flemish Baroque Era Painter, ca.1570-C.1619 Son of Jacob Grimmer. He married Catharina Lescornet on 29 September 1591 and in 1592 became a master in the Antwerp Guild of St Luke. He is principally known for his numerous small paintings of country scenes, sometimes with a biblical theme, which often form part of a series of the Four Seasons or the Months of the Year. Some of these paintings were inspired by or even copied from prints by Pieter Bruegel I and Hans Bol, both of whose work strongly influenced Abel, even more so than did the example of his father's work, which was also an important source of inspiration. Abel's series of the Twelve Months (1592; Montfaucon-en-Velay, Haute-Loire, Chapelle Notre-Dame) are exact copies of Adriaen Collaert's prints after Hans Bol (Hollstein: Dut. & Flem., iv, nos 523-34), published by Hans van Luyck ( fl c. 1580-85) in 1585. Spring and Summer (Antwerp, Kon. Mus. S. Kst.) are almost exact copies of two prints by Pieter van der Heyden   Related Paintings of GRIMMER, Abel :. | Spring shs | Autumn shy | Summer sdg | Carrying the Cross sety | Winter dh |
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Antonio Viladomat y Manalt
Spanish, 1678-1755,Spanish Catalan painter. He was the most significant figure in Catalan painting from the end of the 17th century to the first half of the 18th. He trained with P. B. Savall and J. B. Perram?n in Barcelona. The arrival of the Archduke Charles (later Charles VI) of Austria in Barcelona in 1703 as a pretender to the throne during the War of the Spanish Succession (1702-13), accompanied by such Italian artists as Ferdinando Galli-Bibiena, acquainted Viladomat y Manalt with artistic trends in Italy. He experienced problems with the artists' guild in Barcelona because of his refusal to participate in the traditional work system. Despite this, his workshop-academy became a centre for the training of numerous painters, sculptors and engravers. Viladomat y Manalt was principally a religious painter, and his oil paintings include Christ Appearing to St Ignatius of Loyola (c. 1711-20; Barcelona, Jesuit Convent) and St Augustine and the Holy Family (Madrid, Prado). He also painted such murals as the tempera Angels with the Sudarium (c. 1727; Matare, S Mar?a, Capilla de los Dolores), but most of the others have disappeared. He painted an extensive series of monastic and evangelical works, in which his revival of compositions characteristic of the Spanish Golden Age is apparent. Examples include the Stigmatization of St Francis (c. 1724; Barcelona, Mus. A. Catalunya), part of a cycle of paintings on the life of St Francis commissioned for the cloister of the convent of S Francisco de As?s in Barcelona. His late Baroque style is related to the severe and realistic trend in Spanish painting in the early 17th century. Some interesting profane allegories by the artist are extant, notably the series Four Seasons (c. 1720-30; Barcelona, Mus. A. Catalunya), which consists of landscapes with genre scenes. Several of the still-lifes by Viladomat y Manalt such as the realistic Still-life with Dead Turkey (Barcelona, Mus. A. Catalunya), which has strong contrasts of light, bear an affinity with Neapolitan painting of the last decades of the 17th century.
Parentino, Bernardo
Italian Painter, 1437-1531 was an Italian painter of the Renaissance period, active mainly in Padua. Born in Parenzo, then a Venetian town in Istria and died in Vicenza. He was influenced, if not a pupil, of the painter Andrea Mantegna. He became an Augustinian monk under name of Lorenzo. He painted Scenes of the life of San Benedetto for the cloister of Santa Giustina at Padua, and a Nativity once at the Accademia in Venice. He painted a nightmarish Temptation of St. Anthony Abbot found at the Doria Pamphilj Gallery. An Adoration of the Magi
Hoogstraten, Samuel Dircksz van
Dutch Baroque Era Painter, 1627-1678